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William Bache, 22 Dec 1771 - 9 Jul 1845 - William H. Buell - Canvas Wall Art For Sale


William Bache, 22 Dec 1771 - 9 Jul 1845 - William H. Buell - Canvas Wall Art
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William Bache, 22 Dec 1771 - 9 Jul 1845 - William H. Buell - Canvas Wall Art:
$199.99

Canvas Wall Art - Matte Finish with Hanging Hardware

High-quality canvas wall art with a matte finish. Each canvas includes back hanging hardware for convenient display. The frame is made from radiata pine sourced from renewable forests.

  • Materials: Cotton and polyester composite (canvas), pine wood (frame)
  • Finish: Matte coating designed for detailed, vibrant images
  • Printing: Latex inks that are non-hazardous, non-toxic, and non-flammable
  • Backing: Includes pre-installed hanging hardware
  • Support: Soft rubber dots on bottom back corners for stability
  • Frame: Radiata pine wood sourced from FSC-certified renewable forests
  • Tolerance: Slight size deviations possible within ± 1/8 in (3.2 mm)
Care Instructions
  • If dust collects, gently wipe with a clean, damp cloth
  • Avoid using harsh cleaners or scrubbing the surface
Shipping & Handling

Each canvas print is securely packaged with protective materials to help prevent damage in transit. Tracking is included with all orders.

International buyers: please check local import regulations for canvas art before purchase.

Keywords: canvas wall art, matte canvas print, framed canvas, pine wood frame, wall decor, hanging canvas art, durable canvas print

This historic artwork is a silhouette portrait depicting William Bache, whose life spanned from December 22, 1771, to July 9, 1845. Silhouettes served as a popular and accessible form of portraiture during the late eighteenth and early nineteenth centuries, capturing the distinct profile of an individual before the widespread adoption of photography. The subject is presented through the careful delineation of his features in sharp contrast, preserving his likeness for posterity during a formative era in American history.

Portraits of this nature function as intimate records of early American citizens, capturing the personal identities of figures who shaped or participated in the burgeoning society of the new republic. While the biographical details of William Bache place him within this historical framework, the silhouette medium itself emphasizes the universal human form stripped of individual color or complex detail. This artistic choice focuses attention entirely on the distinctive contours of the sitter's profile, offering a direct and unvarnished glimpse into the appearance of everyday historical personalities.


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