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DOROTHY REVIER8 X 10 AUTOGRAPHED PHOTO. NOT A REPRINT. PHOTO COMES WITH A TODD MUELLER AUTOGRAPHS COA.SHIPPING: $5.00 First Class. Package will be secure so it does not get damaged. I will provide tracking number as soon as possible. I do combine shipping for .50 for each additional photo.RETURNS: You can return it within 30 days for any reason. No cost to you.LIFETIME GUARANTEE:If a item that we sell Is found “Likely Not Authentic” by any of the Pre-Approved Authentication Companies including Professional Sports Authentication (PSA/DNA), James Spence Authentication (JSA) and Beckett Authentication Services (BAS), then we will IssueFULL REFUNDfor purchase price, excluding return shipping, of your Item.Authenticator rejection letter and receipt for authentication services must be included with request for full refund.CERTIFICATE OF AUTHENTICITYTODD MUELLER AUTOGRAPHSTodd has been a highly regarded member of the Manuscript Society; a Sotheby\'s Associate, the ADA/German Autograph Club and has consulted on other matters of authenticity and memorabilia for individuals and corporations for the past 40+ years. He has had private signings with many stars and celebrities. Such as,Farrah Fawcett, Raquel Welch, Bo Derek, Bettie Page, Keith Richards to name a few.Dorothy Revier (born Doris Velegra; April 18, 1904 – November 19, 1993) was an American actress.
Revier danced with a Russian ballet company on tour, but homesickness brought her back to San Francisco, where she became the featured dancer at Tait\'s Cafe. She was discovered by a talent agent while working in a cabaret and signed to a film contract by Harry Cohn.
She made her film debut in The Broadway Madonna (1922), and was active throughout the 1920s, playing in The Virgin (1924), The Supreme Test (1923), An Enemy of Men (1925), The Far Cry (1926), Cleopatra (1928), Tanned Legs (1929) and The Iron Mask (1929). After recovering from two broken arms suffered in a 1930 car accident, she played roles in low-budget films for Columbia Pictures. In 1935 she played the role of a saloon girl in Paramount Pictures\' second Hopalong Cassidy film, The Eagle\'s Brood, working alongside William Boyd. In many films she appeared as a vamp, and she later worked as a free-lance performer in Buck Jones westerns such as Lovable Liar (1933). The Cowboy and the Kid (1936) was her final film.